Aneesh Chaganty

The Place Beyond the Pines | MAD Review

In Uncategorized on March 31, 2013 at 8:40 PM

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The Place Beyond the Pines

(2013, US, d. Derek Cianfrance)

A cross-generational epic far different from its trailers yet far better than any expectations I had, The Place Beyond the Pines is a moving, thrilling, and thought-provoking film from Blue Valentine writer/director Derek Cianfrance.

To give much of the plot away woud be a disservice to what Cianfrance tries to accomplish. Told through three separate, but intertwining stories, The Place Beyond the Pines chronicles the complex, violence-ridden personalities in the small town of Schenectady, New York as well as the consequences of those characters.

Ryan Gosling plays Luke Glanton, a motorcycle stunt rider who visits Schenectady on a carnival tour. To his surprise, he receives a visit from Romina (Eva Mendes) – a woman we’re led to assume Glanton had a fling with the last time he was in town. It’s unclear what Romina’s intentions are with the visit – especially considering that she has a new husband and a son – but Glanton can’t get her out of his mind.

The next day, Glanton quits the carnival business, his mind set on creating a stable life for Romina. Jealous of her husband’s ability to provide for her, and torn by Romina’s conflicting emotions, Glanton is swayed into a get-rich-quick scheme proposed by Robin (Barry Mendelsohn), a shady and highly amusing local: rob a bank. What follows are some of the most high-octane and heart-stopping action sequences even Hollywood pros would swoon over.

To get into more of Glanton’s story would be giving away too much; be wary of any reviews that do. From there on in the film, we’re introduced to Avery Cross (Bradley Cooper), an ambitious police officer forced to face the consequences of a police incident at the beginning of his story arc. As he tries to move on past the event, a series of obstacles – both internal and external – block his path to moving on.

There are a few other surprises here as well, but I don’t want to get into them as much. The most you’ll get out of this movie will only come from knowing the least about it, which sort of puts me into an uncomfortable position. But enough about the plot.

The Place Beyond the Pines is a touching, sobering, hypnotic and beautifully photographed experience, more lyrical than formulaic. Don’t let the marketing campaign fool you: this is a quiet picture, but it’s a picture with a lot to say. About guilt. About absence. About fatherhood. About love.

Derek Cianfrance seizes full control of the camera’s motion, taking overused tricks and employing them slowly and effectively to increase tension and illuminate character. His wide, repetitive sweeping shots capture immense arrays of emotion, underscore the mirror-relationships of the three stories, all the while still staying true to the heart of the constantly evolving picture. In fact, for as poetic as this film is, there are enough plot-twists to keep a popcorn audience coming back for more.

Powerfully acted, intimately told, and painfully moving, The Place Beyond the Pines marks a significant milestone for Derek Cianfrance’s career. Transitioning from the scale of Blue Valentine to this isn’t easy, but he makes it look that way. I guess that’s what happens when you spend 30 drafts and 5 years on a script. In any case: keep a keen eye out for this film. 

As early as it is, I have a strong feeling this may end up at on the higher side of my Top 10 of the year list. It’s just that good.

Spring Breakers | MAD Review

In Uncategorized on March 23, 2013 at 2:17 AM

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Spring Breakers

(2013, US, d. Harmony Korine)

Welcome to the overwhelming and hypnotic world of neon-lights, Florida beaches, unnerving techno soundtracks, booze, drugs, vandalism, sex, teens, parties, and violence. For many of us, that’s just too much to handle. But for the four young women at the center of this film, that’s just a week of Spring Break.

Spring Breakers is the new film from director Harmony Korine (Gummo, Mister Lonely) and producer Megan Ellison (Zero Dark Thirty, The Master). Part social satire dipped in a lot of Natural Born Killers, Spring Breakers is the kind of film you’d expect Sofia Coppola to make had she been raised on nothing but Girls Gone Wild and Cops. Covered head to tail in top-40 tunes and uniquely edited to never actually let you sit back and just observe what’s going on, the film is quite a challenge to the average viewer. Yet despite the compliments the movie’s been receiving, don’t expect that to be a sign of whether you’re gonna like this movie. In fact, most of the people in the theater I saw the film with hated it. 

While the movie is nothing like what you’d expect from the teasers, this is a both a good thing and a bad thing. For those coming in to enjoy a glorified version of Girls Gone Wild: Spring Break Edition, enjoy the first 7 minutes; exit signs are located around you. For those coming in thinking they’re actually about to watch something really artistic and out there…try and enjoy the rest.

The biggest problem with Spring Breakers is that, despite what it achieves artistically (I’m not being sarcastic with that statement), it’s never actually enjoyable. It gets off to the right start, though. After a 5 minute montage of what everyone expects a wild college kid’s spring break to consist of on a Florida beach, we’re introduced to four childhood friends stuck on a lonely college campus in the middle of nowhere at the start of break. Meet Faith (Selena Gomez), Candy (Vanessa Hudgens), Brit (Ashley Benson), and Cotty (Rachel Korine) – the strangest girl-group we’ll probably meet on screen this year.

The group desperately wants to make it to the beaches of South Florida for break and join the throngs of wild kids their age. And let me be clear: these are not the kind of girls who act innocent and then end up having a wild time. Their dirty and extreme intentions, from the first few minutes, are excruciatingly clear. But the problem is: the girls don’t have enough money to get there. So what’s a few broads to do in that situation? Of course: just rob the patrons in a local restaurant! That should do the trick.

If almost feels like the end of the movie here, because once they’re in Florida, they’re having the time of their lives. You almost wish you could join them on the beaches, by the apartments, and in the ocean as they drink, laugh, snort, hook up, and accomplish every secret item on any spring breaker’s bucket list. But that’s when things start getting weird.

Meet Alien (James Franco), the “wangsta” stranger who bails out the four girls after they’re arrested for an afternoon of cocaine and debauchery. After getting over the initial hump of fear and suspicion when you first hang out with a cornrowed, silver-toothed gangster with a penchant for anything materialistic – no matter how violent the tool (we’ve all been there, right?), the girls soon discover that Alien embodies everything they’ve been taught to love. Soon, the girls (of the ones that remain) take one step after another, furthering themselves into the underbelly of South Florida crime- providing new meaning to what constitutes as “vacation”.

Spring Breakers is a unique character study – unafraid of not answering questions, but also of asking them in the first place. Rather, it simply depicts – with as much wide-eyed energy and color it can – the behaviors and desires of the modern young adult. In an interview at the ArcLight Hollywood Theater, director Harmony Korine dismissed any claims that he was trying to bring out any truth or “reality” with the film. Rather, his goal was to, in fact, make the film as “unreal” as possible.

Yet despite his own intentions, its difficult to not walk away from Korine’s film without garnering some meaning – especially when most of your leading cast has made a career out of being “good, Disney girls”. I have to admit: it is a a bit surreal watching Gomez and Hudgens commit every sin under the South Florida sun, make out with other women, and have a ball while they’re at it.

But here’s the honest truth: apart from the first 30 minutes (which includes an incredible one take shot involving a car circling a restaurant), I didn’t actually enjoy the movie. It was alienating, jarring, and tonally uncomfortable. At the end of the day, I happened to be just another one of those people who expected something far different than what actually came out.

But different doesn’t mean bad. In this case, it actually is worth a ton of worthwhile thought. And though commendable on its own right, I can’t imagine recommending Spring Breakers to anyone looking for a fun time at the movies.

 

Redbox Giveaway 2 | MAD Promotion

In Uncategorized on March 21, 2013 at 8:39 PM

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Hey folks! 

I’m back with another Redbox giveaway. This time, however, it involves more than just emailing me!

Redbox has created – in the spirit of March Madness – a movie competition bracket. Click on the following link to participate: https://www.facebook.com/redbox/app_608913499135489

 

It’s pretty simple: just vote on your favorite movies and see how your picks do. If you complete your bracket, you get a code for a free rental. It’s a Facebook game, so you’ll have to log in.

For terms and conditions of the challenge, click here. Otherwise, enjoy the game!

Aneesh

 

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